唐县润鹏铜雕工艺品厂

1、初唐的佛像，延续隋代的造像风格，佛的发髻开始多为高耸式髻，螺发盛行。佛菩萨面相丰满偏方，多体态健硕，身体比例略显失调。衣纹多为凸起的纹线。题材多为弥勒大佛。

1, the continuation of the Sui Dynasty statues of Buddha, the Buddha's hair style, began as a high bun, spiral hair prevailed. Buddha and Bodhisattva face plump side, more body and robust, the proportion of the body slightly imbalance. The coat lines are mostly protruding lines. Most of the subject matter is the Great Buddha of Maitreya.

2、盛唐是佛造像的黄金时期。这一时期的造像摆脱了初唐时头、身比例失调的情况，面型丰满，佛发多为水波式发髻或螺发，多为通肩式大衣和袒右肩式大衣，除此之外，还有方领下垂式大衣。台座多束腰式台座。

2. The Tang Dynasty is the golden period of the statue of Buddha. During this period the statues from the Tang Dynasty head, body proportion, facial fullness, Buddha multiple wave type hair or spiral hair, mostly through shoulder coat and bare right shoulder style coat, in addition, there is a square neck droop type coat. The multi waist type pedestal.

3、盛唐时期的菩萨像，多束高髻，袒露上身，菩萨像最流行的样式为“三段屈曲式”。从胸部至腰际形成突出的弧线，并配以像身轮廓和帔帛的曲线，也称“三折枝式”即头、腰、臂三部分犹如“一波三折”。

3, the Tang Dynasty Bodhisattva, multi beam high bun, bare chested, Bodhisattva of the most popular style for the "three section buckling type". From the chest to the waist protruding arc, and with like body contour and silk Cape curve, also known as the "three branch" is the head, waist, arm three part as "striking one snag after another".

4、晚唐及五代佛像比盛唐的佛像略为生硬。

4, the late Tang Dynasty and the five generation of Buddha statues are slightly stiffer than the Buddhist statues in the Tang Dynasty.